Gays for Trump founder challenges Ocasio-Cortez on U.S. history, but he gets a lesson instead

SXSW / YouTube Alexandria Ocasio Cortez SXSW 2019 1552566117.jpg...
Alexandria Ocasio Cortez SXSW / YouTube

Earlier, Rep. Alexandria Ocasio-Cortez schooled an uninformed reality television star on some basic laws of liability. Wednesday afternoon, Rep. Ocasio-Cortez was faced with this bit of economic dumb trollery.

If you don’t remember “activist” Peter Boykin, he is the founder of Gays for Trump, he’s openly transphobic, and considerably racist! It turns out he is also bringing some Wheat Thin like intellect to a serious conversation. Like most #MAGA assholes and self described “free market” proponents, Boykin is under the delusion that you can divorce the context of things in broad ranging conversations about race and class and economics.

Now, if Boykin’s argument is that American capitalism was and would still like to be utterly dependent on unfree labor, that’s one thing. But I suspect, as Rep. Ocasio-Cortez clearly does, that a lightweight opportunist like Boykin isn’t ready to step outside of his sophomoric attempt at being clever.

 Maybe Boykin can read a book about the mythology he wants to perpetrate. As professor of History at NYU and author Greg Grandin put it in the The Nation a few years ago.

Despite all this scholarly work, each generation—from W.E.B. Du Bois to Robin Blackburn, from Eric Williams to Walter Johnson—seems condemned to have to prove the obvious anew: Slavery created the modern world, and the modern world’s divisions (both abstract and concrete) are the product of slavery. Slavery is both the thing that can’t be transcended but also what can never be remembered. That Catch-22—can’t forget, can’t remember—is the motor contradiction of public discourse, from exalted discussions of American Exceptionalism to the everyday idiocy found on cable, in its coverage, for example, of Baltimore and Ferguson.

Below you can watch a somewhat famous clip of Marlon Brando selling Haitian plantation owners on ending slavery for a free market and democracy in the 1969 Gillo Pontecorvo film, Burn!

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